Showing posts with label elephants. Show all posts
Showing posts with label elephants. Show all posts

Monday, January 16, 2017

Circus taking down the tent



 
 Bonnie and daughter FL mounted and ready (top), and Lauren with Lou Jacobs and Knucklehead.
 

'Greatest Show' nearing

end of its 146-year run

Memories of Ringling Bros.: Elephants,
 clowns, and the owner who bought it twice
 
It will be hard to say goodbye when the "Greatest Show on Earth" strikes its tent for the final time this year -- well, not really a tent, since it has been playing indoors at civic arenas for nearly 60 years. But you get the idea.

The Ringling Bros. and Barnum & Bailey Circus is dying. Its owners announced over the weekend that the show will end its 146-year run in May, a result of changing tastes in entertainment and, in large part, the animal rights movement that sent Ringling's elephant herds into retirement last year.

For the better part of two decades, I looked forward to the annual spring arrival of the Ringling show in Baltimore. I covered it as a newspaper reporter beginning around 1971, thanks to an offer by the late Martha Schoeps, then the Baltimore Sun features and food editor, for me to attend opening night and  write about the show.

Oddly, my story got the attention of circus owner Irvin Feld, who invited me and my first wife to see the other Ringling show when it opened at the Washington coliseum a month later -- after dinner in his family's D.C. penthouse. (There were two Ringling circus units then, designated Red and Blue, criss-crossing the nation on two-year circuits.)

Irvin, whose wife took her own life in the late 1950s, was living there with his two children and his brother and sister-in-law, Israel  and Shirley Feld. The brothers grew up in the Hagerstown area, and started their business career together in the Depression era -- selling snake oil-type remedies on the carnival circuit, according to family lore. 

Their ventures evolved into the drugstore business, recordings and record sales and concert promotions that included appearances by the Beatles. And they managed arena bookings for the circus.

In 1967, with wealthy Houston Judge Roy Hofheinz as a partner, they engineered the purchase of Ringling Bros. -- maximizing publicity by staging the signing ceremony in Rome's Colosseum.

After dinner, Israel drove his wife and brother to the D.C. arena, and I tried to keep pace, following in my under-powered Renault as he whizzed around traffic circles and did his best to get ahead of red lights. We watched the show from the owners' front row-center seats. Clowns delivered hotdogs. Irvin pointed out favorite performers, and fretted tongue-in-cheek that the cat trainer was going to "get eaten" some day.

That was the Irvin Feld I knew. Whatever underlying family secrets existed then, and came out later amid ugly legal battles between his heirs and other litigation, were not part of the equation. And I became  more interested in the circus performers, their family stories, and the view from backstage over the ensuing years.

A year after that dinner, accompanied by my first wife, I tried out elephant riding for the first of several such adventures as the Ringling menagerie was paraded  about two miles from the circus train to the downtown Baltimore Civic Center arena -- an experience later enjoyed with varying degrees of nerve and distance by third wife Bonnie and older daughter FL. (Chesapeake Bay Middle School did not consider riding an elephant in the circus parade to be an acceptable excuse for her lateness that day. Meh.) 

I got to meet and write about Lou Jacobs, the great clown who -- in his makeup -- became the face of the circus on a U.S. postage stamp (everyone else pictured on stamps had to die first), and Bonnie photographed our younger daughter Lauren sitting on Jacobs' lap with his dog Knucklehead. (In one of his routines, Jacobs was a hunter and Knucklehead, wearing bunny ears,  the quarry -- falling over "dead" at the pop of the rifle but leaping out the basket on the back of his bicycle as he pedaled out of the center ring.) Jacobs' daughter Dolly became a noted circus aerialist.

There was tiger trainer Charly Baumann -- later the performance director, timing each act from the entranceway to keep each show running like clockwork, overseeing the movement of animal herds, jugglers, acrobats and clowns as apparatus was moved in and out, trapeze nets raised and lowered, and manure swept up by roustabouts, to the beat of the circus band and cues of its conductor.

Another great was Gunther Gebel-Williams,  the blond-haired showman whose entire Circus Williams was purchased by Irvin Feld in 1968 to bring him and his performing family to America. He staged acts with elephants, tigers and horses as the star of the Ringling Red Unit. (He died of brain cancer in 2001.)

And there was Michu, billed as the world's smallest man, whose "marriage" to the purported world's smallest woman played out in every performance as a center-ring spectacle for a two-year run of the show. (I gathered that the bride was not terribly fond of the groom, who, I recall, was fond of drink and cigars.)

We attended shows in Richmond and Norfolk, Va., just before the circus would arrive in Baltimore, Bonnie taking photos that ran in The Evening Sun and accompanied my reviews in the morning newspaper. I would attend opening night in Baltimore, ready to tweak the review already being put on the press for the early edition, in the event anything unexpected happened.

One opening night, in 1979, it did -- a Hungarian aerialist was injured in falling about 20 feet to the floor from a neck loop suspended from her husband's teeth. An emergency alert from the band sent clowns into action in spotlights aimed across two of the performance rings, while paramedics rushed into the darkened center ring to get Ava Takacs to a nearby hospital.

In March, 1985, we bought a bunch of tickets so younger daughter Lauren and some of her first-grade  classmates could celebrate her 5th birthday at the circus. The whole group of children was escorted from their seats to ride in a float in the first-half-ending pageant known as the "spec."

The circus became part of the Mattel toy company in a 1971 merger valued at nearly $50 million, and a little more than a decade later the Feld family bought it back for barely half the price -- along with an entertainment division that included ice shows and the famed Las Vegas magic act of Siegfried & Roy.

"Let's face it," Irvin Feld said at a glitzy announcement of the purchase, "the good Lord never meant for the circus to be owned by a big corporation." He brought showgirls, clowns, a marching band and an elephant to his headquarters on the edge of Washington's Georgetown section for a touch of showmanship that day.

For all his business acumen in building the entertainment empire inherited by his son Kenneth, Irvin seemed to truly love the circus. The day he bought it back from Mattel, he said he wanted to preserve the circus for future generations of his family and America.

Irvin died in 1984 of a cerebral hemorrhage suffered in Venice, Fla., where he had attended a memorial service for longtime Ringling monkey trainer and star performer Mickey Antalek. I remember a beautiful wagon wheel floral tribute at his funeral.

Alas, his dream of a circus tradition enduring for generations is falling a little short. The end of the storied Ringling Bros. and Barnum & Bailey Circus was announced by two generations of Irvin Feld's family -- son Kenneth, and one of three granddaughters, Juliette Feld, the chief operating officer.

If I'm lucky, I hope to see some of the surviving Felds in April -- during the show's last stand in Baltimore, maybe in the section where I fondly remember sitting with Irvin... about 20 rows up, facing the center ring, close to eye level with the showgirls who were riding by on the elephants.
They were waving at us, and the crowd, and I always waved back.

And at the end of the show, there was always the ringmaster's farewell: "May all your days be circus days."


Saturday, April 11, 2009

Movie review: Disney’s ‘earth’

Disneynature Earth Day release
is a sight to behold, but has
a badly over-written script
and droning narration

Cue the violins: It’s dinnertime

The movie is being hyped as the epic journeys of three families across the planet, but Disneynature’s “earth” – timed for theatrical release on Earth Day -- is really an update of the stuff that old Walt himself was pushing back in the 1950s when color television was being introduced as the latest in technology.

Inspiring, well-filmed stories of wild animals, with a droning narrator. Time-lapse photography of flowers blooming. We’ve seen that before, although I readily acknowledge the old Wonderful World of Disney productions are rudimentary stuff when compared to “earth.”

Trouble is, the new film for all its terrific spectacle has been weighed down with not only the droning narration of those TV days of yesteryear but an over-written script and jumbled story lines that the voice of James Earl Jones cannot save from mediocrity. (James Earl Jones? Very suave, very mellow, but he’s even disappeared from the Verizon ads!)

Now I have nothing against cute baby polar bears climbing out of their ice-hole den as spring comes to the Arctic, and playfully exploring the white wilderness while their mother tries to shepherd them toward the sea. So very, very cute, and so wonderfully filmed.

Meanwhile, daddy polar bear has gone far ahead in a desperate trek to find food as his world shrinks to global warming. By the time he finds something to eat, it’s a baby walrus whose colony keeps the big white predator at bay on an ice shelf. Poor papa polar bear is too weak to go on, and so the movie crew leaves him – returning us to the growing, thriving cubs who, we are assured, will carry on with his spirit in their hearts.

Yup. James Earl Jones really tells us that.

You’d like to think the photo crew up in the helicopter could have thrown a few fish to Papa Bear before leaving.

The other main story lines feature a herd of African elephants in their trek across a barren Kalahari Desert to reach the lush delta where water and food will be found, and mother-and-child humpback whales swimming thousands of miles to their Southern Ocean summer feeding waters.

But that wasn’t enough. As we are shuttled back and forth between the animal families to check on their progress, it seems there was some footage of enormously entertaining monkeys fording a river, so that gets thrown in, along with various other creatures. (I’ll allow, however, the giant shark rising out of the ocean devouring a whole seal in its horrifying maw.)

We also get to see in breathtaking time-lapse imagery entire forests change in color with the seasons. There are some terrific sunsets, too.

But the violins in the orchestral accompaniment are as unrelenting as the voice of Mr. Jones, and a solomn strings theme warns us when it appears an animal being chased down as prey is about to be killed and eaten by critters higher up the food chain. A pack of lions chases and jumps, biting, onto the back of an elephant fleeing in the near-darkness. (So that jungle cat-and-elephant circus act really is natural behavior!)

Cue the violins. Time for the Darwin theme. Elephant sushi is on the menu. The lions eat tonight.

I hate to criticize a movie that probably was conceived as well-meaning.

I cannot praise the photography enough. It is cutting-edge amazing. I kept wondering how the incredible scenes in “earth” could have been captured.

Patience was rewarded. Scenes showing how share the screen as the credits are rolling.

So don’t get up and leave too soon. You might miss some of the best moments that “earth” has to offer. You can also check them out at greater length online at http://disney.go.com/disneynature/earth, including the weeks of determined labor to capture with a high-speed camera that giant shark breaching the water with a seal in its teeth.

The photographers get four stars, and all the thumbs-up I can muster. It’s such a shame that the script and editing let them down.