Showing posts with label family values. Show all posts
Showing posts with label family values. Show all posts

Monday, February 28, 2011

A gift of longevity



Sam sings a birthday song to sister Alice.

Centenarian Aunt Alice

marvels at every day

But she'd rather still be dancing

“Every day is a gift,” she says, arms stretched wide in embrace of her world – at one level very tiny, at another limitless in wonder.

By her measure of “every day,” Alice Ettlin Krupsaw has had a lot of gifts – roughly 37,985 as of Monday, when she celebrated yet another birthday. She is a young 104 and, according to the Maryland Department of Aging, among some 1,661 living centenarians in the state.

Her physical world for nearly a decade has been the Milford Manor nursing home on the northwestern edge of Baltimore, after the loss of a leg to a blood clot. Alice used to dance there, with a local troupe of entertainers who staged shows at nursing homes and senior centers – she was never shy about donning the fruit-basket hat and channeling her version of Carmen Miranda. She’s often said how she never imagined being the one in the wheelchair.

A widow for half a century, and childless, Alice had filled her apartment with hundreds of dolls and stuffed animals – many of them her own creations. They had names and identities, even a marriage in a Jewish wedding scene that Alice had crafted for her pretend children. And she knitted finger puppets that were donated to hospitals and orphanages in the Baltimore area and Israel, to amuse or ease the pain of real children she had never met.

She kept every thank-you letter and certificate of appreciation in scrapbooks, along with documentation of her career among the thousands of invisible federal workers in seemingly nondescript jobs. Four decades ago, she retired from a clerical position at the Social Security Administration headquarters where she was crowned “queen of the Xerox machine.” She turned her attention to caring for her elderly parents in their last years, then moved into the apartment.

Some of the scrapbooks are filled with pictures, showing family, friends, trips with late husband Lou Krupsaw out West and to Havana, in nightclubs, on horseback, with their dogs. Her parents (my paternal grandparents) appear with two other couples, all decked out in what could only be considered Eastern European finery, in a photo taken on New Year’s Eve 1948 in a Romanian restaurant in New York City. Alice would point to one of the other couples, saying, “They’re [filmmaker] Barry Levinson’s grandparents.”

Louis Ettlin, a tailor, came to America from Russia in 1904 with his wife, Ida, who had taught dancing in the old country. They had three children -- Alice in 1907, my late father Ben in 1911, and Sam in 1919.

A treasured, slightly torn snapshot shows Ida Ettlin with a pretty teenage Alice on the beach at Atlantic City where, she says, a talent scout saw her and said she could become a model.

Instead, she married young, worked hard, and imagined. While she and Lou ran a small grocery store, she started writing a novel with a pencil on butcher paper. For a very long time after Lou's death, she made dolls and paintings, wrote poetry, and danced in nursing homes. I doubt she ever smoked and, the old nightclub photos notwithstanding, I could not imagine her having a drink.

At Milford Manor, she battles with her latest hearing device, solves word-search puzzles, reads old, large-print magazines, and wonders about futures she knows she will never see.

In her earliest photos, some cars have crank-starts or running boards. She was born, after all, in 1907 – and in those days, horses and buggies were common. It was only three years after Baltimore’s central business district was consumed in the Great Fire.

Some of her early memories are included in her book, “An Even 100,” edited and published by my wife, Bonnie Schupp, for Alice’s centennial birthday in 2007. There’s also a sampling of her poetry, family photos, and pictures of some of her paintings – the work of an untrained artist every bit in the spirit of “Grandma Moses.”

In 2008, on her 101st birthday, Bonnie recorded Alice singing her favorite song, “Enjoy Yourself (It’s Later Than You Think),” and posted the video on YouTube. This July, a bit of it was shown on CNN as one of reporter Josh Lev’s “viral video” picks. It only had about 2,000 hits at the time, but Lev raved about how much he liked it – and now, it has been viewed by more than 6,000 people. Alice marvels at seeing herself on a computer screen, as much as the idea that she lived to see man walk on the moon.

At 104, she repeats herself a bit, but her mind remains mostly sharp. She’s somewhat of a celebrity at Milford Manor as its oldest resident and, it goes without saying, poet laureate. Each edition of its monthly bulletin includes one of her poems.

Her “baby brother,” my uncle Sam Ettlin, flew in from Florida for the weekend to help celebrate her birthday with his son Dennis and daughter-in-law Patty, my late brother Larry’s wife Natalie (who devotes considerable time looking in on Alice), her son Greg, and Bonnie and me. On Sunday, at the party in Alice’s room, we had crabcakes and birthday cake, and Sam – a young-looking 91 – sang her a birthday song and played on his harmonica, “I Can’t Give You Anything But Love.” The tune dates to 1928.

“My family comes from the Ukraine,” he says, spinning a tale about familial longevity and his great-grandfather, who is reputed to have lived to 104. “He walked outside to draw water from the well,” Sam said, “but fell and hit his head. He died soon after. If he had just stayed inside, he’d be 178.”

Storytelling seems to run in the family.

Monday afternoon, on her actual birthday, there was another party – this one a surprise proposed by her younger, down-the-hall friend Ethel Vanger, staged by Milford Manor activities organizers, and attended by nearly a dozen residents parked side-by-side around a long table in their wheelchairs.

No such thing as too many parties when you’re 104, when you’re happy (as much as circumstance might allow), and you know it. And when they sang the birthday song, Alice joyously clapped her hands.

"Thank you, thank you!" she cried out. "I'll never forget this day."

Wednesday, October 1, 2008

Channeling Bristol

Today's little rant

I know it’s too easy, and probably unfair – but it’s also Sarah Palin’s fault. After all, she’s the one who brought up the “family values” stuff that makes her such a model mom to the religious right (as distinct from the right religious). It was all about teaching only abstinence, and putting up some sort of iron chastity curtain to block out many of the realities of life in 21st Century America.

Haven’t heard much about daughter Bristol lately. She’s off the front pages, not even evident in the inside pages, and her Hockey Mom hasn’t been saying much about the 17-year-old’s pregnancy situation since that storm blew over.

And whatever happened to the foul-minded goalie boyfriend who slipped a got-lucky shot past the family values defender and scored. Last I saw him, he was up there on the stage in St. Paul, Minn., sharing the climactic moment of the Republican National Convention with the McCain team, dressed up in his Sunday best and furiously chewing a wad of gum; then there was the little matter of his ugly but disappearing presence on the Internet.

The point is that Sarah Palin would like to see her spin on family values imposed across America, when they didn’t even work inside her own little igloo. And it’s about how big a lie you can spin to make teen sex OK in the eyes of do-no-wrong Republicans because, after all, her daughter’s going to keep the baby and marry her self-described “fu**in’ redneck” boyfriend, almost as if it were planned.

It’s just good old Republican retroactive hypocrisy. Paint it in the bold colors of “we’re doing it right, even when we did wrong, by golly.” Now everybody applaud.

But I can’t applaud. I feel sorry for Bristol, who at worst is an ordinary teenage girl with an all-too-common problem, revulsion for her caricature jock boyfriend, and scorn for the mother who shamelessly thrust them into the national spotlight.

Any bets out there on the long-term prospects for this teen romance? You can have two guesses – one predicated on a Republican win in November, the other on a loss that sends Sarah Palin home to carry her current job to term, assuming she’s even on the ticket come Election Day.


Now that I’ve gotten it out of my system, at least for today, we move along to a new feature of this almost-as-new blog:

Movie Reviews!

I’ve gotten into a serious movie habit lately, thanks to a membership benefit of Friends of the Maryland Film Festival, and a Web-based network called Gofobo: Free movies, usually before they’ve officially opened. There’s a row or three set aside for movie reviewers, not that the Baltimore area has actually got three rows worth of reviewers, and most of the other rows are filled with festival members and invited guests.

I confess I’m not a movie expert. My wife Bonnie and I attended a recent screening of “Tyler Perry’s The Family That Preys,” and I had no clue about who is Tyler Perry. But I found out, because the African-American actor-producer-director personally showed up to introduce his film to the predominately black audience at what was said to be its first public screening.

It’s been open now a couple of weeks, and done fairly well at the box office. We enjoyed it – particularly the acting of stars Alfre Woodard and Kathy Bates, which largely made up for the film’s soapy plot.

Last week, I saw “The Lucky Ones,” courtesy of the Friends group, and was awed by the performances of co-stars Tim Robbins, Rachel McAdams and Michael Pena as three wounded soldiers returning from the Iraq war – the former presumably ending his service, the others on 30-day leaves. It’s a buddy movie, and they embark on a cross-country road trip that at times channels “The Wizard of Oz,” complete with a tornado and a dog. Not sure who the wizard was, but “Oz” was portrayed by Las Vegas. Great casting of that, too.

Eloquent in its empathy for the American soldier, the film did not fall at all into the trap of being antiwar. It was, if anything, pro-humanity and inspiring.

The next night, I lucked into gofobo tickets for an advance screening of “Eagle Eye,” being shown all of four hours before its midnight opening at a suburban IMAX-equipped theater. It relies on nonstop action and spectacle as two ordinary people (played by Shia LaBeouf and Michelle Monaghan) get snatched up as pawns in a runaway computer’s effort to bring down the American government for being what it viewed as unAmerican. Runaway computers, now there’s an original idea. (American government acting unAmerican, now there’s another original idea.)

Did I mention, it was shown in IMAX? Two hours of big, loud, explosive, car-crashing IMAX?

The IMAX was terrific.